Monitor audio studio 20 sec driver#

Termination is by a modified nitrile-rubber half-roll. The alloy cone is deeply hard-anodized, so producing a ceramic layering, while the cone edge is folded back to increase its stiffness. This is manufactured by MA and benefits from a high-powered ventilated motor-coil working on a 1ВЅ' pole.

Monitor audio studio 20 sec driver#

The custom faceplate is made of reinforced plastic, and the driver is built to MA's specification by SEAS in Norway.Д«oth the Studio 20 and '50 use a 6ВЅ' metal-cone unit for bass and midrange duty. Both speakers share a common high-frequency unit, the 1' 'gold' alloy dome, ferrofluid-cooled and fitted with a simple magnet system lacking a rear chamber. While the Monitor Audio Studio 50 has clear Studio 20 antecedents, divergence is evident. A seated listener will find the main axis to be close to that of the midrange driver, with the tweeter set a little above head level, 39' from the floor-not a bad thing in view of the tweeter's finely beamed axial ultrasonic resonance, which is typical of this and other related 1' metal-dome units. Standing 41' tall (plus a couple more for the plinth and steel floor points), the Studio 50 is just 8' wide and 12' deep. To have a high-power three-way in a system as trimly sized as this one is definitely appealing. Though expensive, the Studio 50 takes the pistonic-cone concept to an altogether higher level. The Studio 50 is priced at $7995/pair in real wood veneer, black oak, or satin rosewood, but for $8895 you can have a pair finished in hand-polished Grand Piano lacquer-I can testify to the near perfection of its mirror gloss. This is an three-way system using the 6ВЅ' driver, just a little taller than a '20 but otherwise similarly sized. Moreover, the modest size allows elegant floorstanding pillar-type speakers to be produced, just right for many domestic environments.ДЄ couple of years ago, Monitor Audio launched the Studio 50.

In the 6ВЅ' frame size, a well-designed drive-unit can have sufficient power capacity to satisfy the requirements of even a medium-size floorstanding speaker, yet provide a sufficient frequency range for a successful crossover in a relatively simple two-way design. They failed to reach high enough to the usual crossover point to the tweeter, generally placed in the 2.5вЂ“3.5kHz range. The decision to go for a 6ВЅ'-cone unit to partner it was an astute decision, ultimately leading beyond the first objective, which was the design of an all-metal, pure-piston loudspeaker system.ДЄstute because in the larger 8' size, metal cones haven't scored well. The company's 1' magnesium-alloy dome tweeter was well-established. MA designs using this drive-unit have fared well in these pages, ranging from the Monitor Audio Studio 6 minimonitor ( reviewed by JA in February '94, Vol.17 No.2) to the floorstanding Studio 20 (reviewed by RH in December '91, Vol.14 No.12, and by ST in April '92, Vol.15 No.4). English loudspeaker manufacturer Monitor Audio has mined a rich vein with their exclusive 6ВЅ' metal-cone driver, which covers a range from the bass to the midrange.